Contra Alto Clarinet Finger Chart

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Contra Alto Clarinet Finger Chart – Typically, these are made of nickel silver, an alloy of copper and nickel. Harder and stronger than copper!

For the paper model, there are two versions: the first in low D (model 340), the second in C (model 345) with a range of three octaves.

Contra Alto Clarinet Finger Chart

Contra Alto Clarinet Finger Chart

When the bell is not protruding from the body of the clarinet, D is the lowest note.

Clarinet Fingering Chart Explained

Like the modern bass clarinet, the lower C# and C are played by two keys on the right finger.

From Key-195 Automatic Double Enrollment? One control key has 2 registration keys. It’s very easy!

For a simpler system, the registration keys have been removed. The 1st is lowered to Bb and the second is raised to the mouth.

Leblanc added a harmonic register key to increase the range from 3 to 5 octaves! This third-party registration key is manual.

Contra Alto Clarinet

Does this model have a serial number starting with A (eg, A5), possibly referring to “All Contrabass Clarinet” ?

Play the Ab with the RH middle hand of the low G raised, so the low Eb can be played on the Ab.

The Contrabass 345A is rare, probably due to the high cost of production for the same retail price as the 340.

Contra Alto Clarinet Finger Chart

Thanks to Jason Alder www.jasonalder.com/ for the generous donation of information and documents. We look forward to reading the results of your research on the LeBlanc contrabass clarinet. I often hear from people about what I call the E-flat contrabass clarinet (or “contrabass clarinet in E-flat”) doubling a chord or in my woodwind method book. Some people prefer the term “contra-alto” or “contralto” but “contrabass” is the correct and proper description of the instrument.

Resources :: — Jason Alder :: (bass) Clarinetist

(One disadvantage of this term is that the key is always pointed to distinguish it from the contrabass major in B-flat.)

First, let’s get rid of “contralto,” which usually describes a low female voice in a theater setting. It’s not on the mark in a wide range for an instrument with much shorter than low male voices.

The use of “contra-alto” (without or without a hyphen) refers to the dubious meaning that the prefix “contra-” is a “lower octave”. My best guess is that it is a suffix from the names of some instruments, such as the contrabassoon (an octave lower than the bassoon). In any case, based on this analysis leads to the term “contra-alto” clarinet because it is based on an octave below the alto clarinet (a questionable choice for a framework that is declining in popularity). This analysis then produces “contrabass” for the B-flat instrument, although it is based an octave below the bass clarinet.

Various music dictionaries I have on hand agree that the “contra-” prefix means “less” but do not specify.

Free Fingering Charts For All Instruments

Few, if any, use the contralto voice as an example. (If you’ve got a counter-example from a music editor, I’d love to hear about it.) Because of that, “contra-alto” isn’t enough – it’s a contra-alto/contralto tool. .

The problem is that the three major manufacturers today, Buffett-Crampon and LeBlanc list “contra alto” clarinets on their websites, and Selmer uses “contralto”.

Here are some printed usages of different names, listed from oldest to newest. If you know of any please send me the others. It seems to me that the “contra-alto” became more common in the last quarter of the twentieth century, a style I consider undesirable (cf. “flautist”).

Contra Alto Clarinet Finger Chart

Wallen, George E. “The American Music Company.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. 2: 43. First published in 1955.

Concerto For Clarinet, Chair, And Orchestra. All Three Movements. By Doug Clyde

Aires, Thomas A. “Arranging the Clarinet Chorus.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1957.

Caillet, Lucien. “Calliet Discusses Contras.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Letter originally published in 1961.

Hulfish, William R., and Jack Allen. “Looking at a custom tool.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Letter originally published in 1963.

Wirts, Richard K. “The Clarinet Choir of Yesterday and Today.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Letter originally published in 1963.

The Complete Guide To Clarinet Tuning By Jenny Maclay Dansr

Abramson, Armand R. “A Better Use of the Clarinet Chorus.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1964.

The author does not specifically name the E-flat instrument, but refers to “contrabass members of the clarinet family” (plural).

Wirts, Richard K. “Clarinet Choir Music.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1964.

Contra Alto Clarinet Finger Chart

Wirts, Richard K. “The Contrabass Clarinet in the Modern Symphonic Band.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1964.

Low Brass Fingering Charts

Rohner, Tragot. “Bass and contra-bass clarinets are called.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1957.

The author says that the instrument is called an E♭ bass clarinet (and a bass clarinet is better called a baritone clarinet).

Lawrence, Morris Jr. “The E♭ Contrabass Clarinet.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Letter originally published in 1966.

Little, Terence. “Contra-Clarinets.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1968.

High Grade Professional Ebonite Body Nickel Plated Contrabass Clarinet

Wirts, Richard K. “The Clarinet Choir as a Functional Ensemble.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1969.

Rendall, F. Geoffrey. The Clarinet: Some Notes on Its History and Construction. 3D version. Edited by Philip Bate. Musical instruments. London: E. Benn, 1971.

Harmon, John M. “The Contra Clarinets: New Features.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1978.

Contra Alto Clarinet Finger Chart

Heim, Norman. “The Phenomenon of the Clarinet Orchestra.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1979.

Used Selmer Depose 55 Model Bb Clarinet (sn: N7581)

Donald E. McCathren. “Learn and Play ‘Other Clarinets’.” Woodwind Anthology: A Compendium of Woodwind Articles from The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1983.

Heim, Norman. “The Country Song.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article originally published in 1985.

Jones, Brian D. “The E♭ contra-alto clarinet: misunderstood and overlooked.” Woodwind Anthology: A Collection of Woodwind Essays by The Instrumentalist. Northfield, Illinois: Instrumentalist, 1999. Article first published 1998.

Page, Janet K., K.A. Gourley, Roger Blench, and Nicholas Shackleton. “The clarinet.” The New Grove Dictionary of Music and Musicians. Stanley Sadie and J. Edited by Tyrrell. London: Macmillan, 2001.

Clarinet Fingering Chart Pdf

Randall, Don Michael, ed. “The clarinet.” The Harvard Dictionary of Music. 4th ed. Cambridge, MA: Belknap Press: Harvard University Press, 2003. Illustration of a contra-alto clarinet with a range to low E♭ (right) compared to an alto clarinet in low C.

Maldur’s contralto clarinet, c. 1880, called Claron Grande on the side, and the new instrument on the front.

The contra-alto clarinet, E♭ contrabass clarinet, or fine bass clarinet is a large clarinet with a finer fifth pitch than the B♭ bass clarinet. It is a variable that sounds an octave above E♭ and a major sixth below its written pitch. Because it is based between the bass clarinet and the B♭ contrabass clarinet, the contra-alto clarinet is the standard bass member of the clarinet family.

Contra Alto Clarinet Finger Chart

And clarinets and saxophones. Maybe Perst in the wind club. The repertoire of the contra-alto clarinet is limited in a symphony orchestra. In cymbals, it is often used with other wooden instruments, for example (bassoon, bass clarinet or contrabass clarinet), or playing a lower octave.

Leblanc Low C Bass Clarinet

Although there are some precedents in the 19th century, it is mostly a development of the 2nd half of the 20th century:

Today’s contra-alto clarinets are largely based on the Boehm system, although models with the German system predate them.

) has the length of an instrument and has extra keys that the player can operate with the right thumb and/or little fingers (like a basset trumpet). In the altissimo range, the fingering on the contra-alto clarinet is sometimes different from most clarinets.

The contra-alto clarinet is a curved bell, mainly made of metal, that is useful for tuning. It is located under the instrument panel. The bell is at the top of the instrument.

Semantics Of Music Scholarship, Robert B. Cantrick

The instrument can be played sitting down or standing with the help of a stick or string.

In an orchestra, the contra-alto clarinet plays as fast as the bass clarinet. Unlike low wind instruments (contrabassoon, tuba, …) can play a wide range of nuances, from “fff” to “ppp” and articulation (“legato”, “staccato”, slap, . ..). In modern music, composers use the ability to create polyphonic sounds.

The length of the pipe (without the bell) ranges from about 190 cm for the contra-alto clarinet, a low note E♭, to about 230 cm for the instrument up to C.

Contra Alto Clarinet Finger Chart

Because the contra-alto clarinet is a young instrument, its repertoire is limited and shorter than that of the contrabass clarinet. this is

Naming The Low E Flat (contrabass? Contra Alto?) Clarinet

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